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    <lastmod>2025-09-09</lastmod>
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      <image:title>News - Investigative Aesthetics — Investigative Poetics: Forensic Procedures in the Contemporary Arts - Mach es besonders</image:title>
      <image:caption>Lawrence Abu Hamdan: Earwitness Inventory, 2020, Revolver Publishing. Constanze Ruhm: GLI APPUNTI DI ANNA AZZORI: Uno specchio che viaggia nel tempo, 2019, © Constanze Ruhm. M. NourbeSe Philip: Zong!, 2008. Page 94 © M. NourbeSe Philip / Wesleyan University Press. Forensic Architecture: Towards an Investigative Aesthetics, MACBA 2017, © kunst-dokumentation.com.</image:caption>
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  </url>
  <url>
    <loc>https://www.lisastuckey.net/blog/freedom-of-the-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:title>News - Freedom of the Arts — Public Lecture Series, Applied Human Rights - Manfred Nowak: International Legal Framework: Freedom of Expression and Cultural Rights</image:title>
      <image:caption>Lecture #1 — November 13, 2023, 18:00–19:30 Traditionally, freedom of the arts has been understood as a special category of the civil and political right of freedom of expression. Indeed, the arts are a very powerful medium of expressing political, philosophical and other opinions. Article 19(2) of the International Covenant on Civil and Political Rights explicitly mentions art as a medium through which “information and ideas of all kinds” shall be expressed, received, and imparted. Unless justified by specific and fairly limited reasons, such as the rights or reputations of others or the protection of public order, health or morals, censorship of arts or other restrictions on the creation, exhibition and dissemination of arts constitutes a violation of freedom of expression. In more recent years, artistic creativity and expression was put at the heart of the cultural rights discourse. Most importantly, the right to take part in cultural life and to enjoy the benefits of artistic production in Article 15 of the International Covenant on Economic, Social and Cultural Rights gained increased attention with the creation of the UN Expert and later Special Rapporteur in the Field of Cultural Rights by the UN Human Rights Council in 2009 and 2012. The lecture will provide a short introduction to the relevant legal instruments protecting freedom of the arts and explore the limits of artistic freedom by way of selected examples. It will also discuss the risks of artists involved as human rights defenders (“artivists”) in the current political climate in different parts of the world.</image:caption>
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      <image:title>News - Freedom of the Arts — Public Lecture Series, Applied Human Rights - Jens Kastner Between Cancel Culture and Cultural Appropriation: The Spectrum of Artistic Freedom</image:title>
      <image:caption>Lecture #2 — November 27, 2023, 18:00–19:30 Artistic freedom operates within complex networks of recognition and legitimacy, with contemporary discourse highlighting two contentious subjects: Cancel Culture and Cultural Appropriation. Cancel Culture, a phenomenon scrutinizing artists’ ethical conduct, sparks debates about the separation of an artist’s work from their personal behavior. Historically, artistic autonomy was grounded in the archetype of the artist-genius, accountable solely to future judgment. However, this paradigm is now challenged by concepts like the “Death of the Author” (Barthes 1967), which suggests that an artist detaches from their work, enabling it to evolve independently. While it values artistic autonomy, it often leans into a male-dominated theoretical tradition accentuating independence. Cultural Appropriation raises different concerns, revolving around the respectful use of elements from cultures not one’s own. The line between appreciation and appropriation is thin, leading to tensions when aspects of a culture are employed without due acknowledgment, understanding, or permission. Navigating this issue necessitates distinguishing between genuine cross-cultural engagement that enriches the art world and exploitation or disrespect. Balancing artistic freedom with responsibility is the crux of these matters. Achieving this equilibrium requires open and respectful dialogues among artists, critics, and affected communities.</image:caption>
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      <image:title>News - Freedom of the Arts — Public Lecture Series, Applied Human Rights - Sandra Frimmel Art as a Shield Against the Expansion of External Cultures: Why and How the Freedom of Art in Russia Plays a Significant Role in National Security Policy</image:title>
      <image:caption>Lecture #3 — December 18, 2023, 18:00–19:30 The general constitution of a society, its tolerance or intransigence, can be read on the example of artistic freedom. Based on art court trials in Russia in the early 2000s, the lecture aims to trace the interactions between court trials, art practice, and legislation. How did individual lawsuits against artists and curators cause a change in legislation and thus lead to an increasing restriction not only of artistic freedom? Which social and political groups are responsible for this norming process in the field of visual arts? How does this affect art production and exhibition practice? Using selected works of art as examples, we will also look at the absurdity of trying to reconcile juridical and aesthetic speech in court, because the value systems they refer to are hardly compatible. It will be all the more revealing to trace a historical transformation on the basis of court records and to show how, in the course of the last two decades, supposed individual cases have led to a standard legal procedure and how the gradual restrictions on artistic freedom are linked to developments in society as a whole as well as to security policy interests.</image:caption>
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      <image:title>News - Freedom of the Arts — Public Lecture Series, Applied Human Rights - Manuela Naveau Critical Data and the Arts: How Freedom of the Arts Fosters Understanding of Digital Transformation</image:title>
      <image:caption>Lecture #4 — January 8, 2024, 18:00–19:30 As artists, curators, creative technologists, and scientists, we — the Critical Data research group at the University of the Arts Linz — question data, data processing systems, and forms of knowledge associated with them. Artists can not only make visible how systems of digitalization work, but also how they do not work. We therefore critically examine the position society can take in relation to the latest technological developments. Critical Data observes how we deal with technology and explores artistic worlds in the digital cosmos that move between promise, manipulation, and conspiracy. On the basis of selected artistic positions, questions of equal treatment and the protection of one’s own data as well as freedom of opinion and information will be discussed. Art is mediating directly to its public, its audience, and recipients. But who speaks with whose voice and how can art help to make this transparent?</image:caption>
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  </url>
  <url>
    <loc>https://www.lisastuckey.net/blog/exhibition-review-constanze-ruhm-belvedere-21-texte-zur-kunst</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:title>News - “TRANSFORM THE QUALITIES OF OBJECT/SCENES BY BREAKING THEM” Lisa Stuckey on Constanze Ruhm at Belvedere 21, Vienna</image:title>
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      <image:title>News - “TRANSFORM THE QUALITIES OF OBJECT/SCENES BY BREAKING THEM” Lisa Stuckey on Constanze Ruhm at Belvedere 21, Vienna</image:title>
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      <image:title>News - “TRANSFORM THE QUALITIES OF OBJECT/SCENES BY BREAKING THEM” Lisa Stuckey on Constanze Ruhm at Belvedere 21, Vienna</image:title>
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      <image:title>News - “TRANSFORM THE QUALITIES OF OBJECT/SCENES BY BREAKING THEM” Lisa Stuckey on Constanze Ruhm at Belvedere 21, Vienna</image:title>
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  <url>
    <loc>https://www.lisastuckey.net/blog/fuersprache-jenseits-des-subjekts-tribunale-umgangsformen-mit-unsicherer-zukunft</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
  </url>
  <url>
    <loc>https://www.lisastuckey.net/blog/transformation-through-normativity-transcultural-media-aesthetics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:title>News - Transformation Through Normativity: Human Rights as Transcultural Aesthetic Medium of Global Contemporary Arts and Vice Versa - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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  <url>
    <loc>https://www.lisastuckey.net/blog/kritische-justiz-rezension-forensische-verfahren-in-den-zeitgenssischen-kuensten</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3dfd4c3c16a1ed7c4a5f4/1679825725728-Q4KQHNKG8VKIEWUQZEY5/Petersen_Rezension_Kritische-Justiz_Forensische-Verfahren_Stuckey_978-3-11-073772-1_Seite_1.jpg</image:loc>
      <image:title>News - Kritische Justiz Vol. 55 No. 4 – Rezension von Laura Petersen zu "Forensische Verfahren in den zeitgenössischen Künsten"</image:title>
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      <image:title>News - Kritische Justiz Vol. 55 No. 4 – Rezension von Laura Petersen zu "Forensische Verfahren in den zeitgenössischen Künsten"</image:title>
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      <image:title>News - Kritische Justiz Vol. 55 No. 4 – Rezension von Laura Petersen zu "Forensische Verfahren in den zeitgenössischen Künsten"</image:title>
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      <image:title>News - Kritische Justiz Vol. 55 No. 4 – Rezension von Laura Petersen zu "Forensische Verfahren in den zeitgenössischen Künsten"</image:title>
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  <url>
    <loc>https://www.lisastuckey.net/blog/compensatory-infrastructures-agencies-think-tanks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:title>News - COMPENSATORY INFRASTRUCTURES: Agencies and Think Tanks as Sites of Knowledge Production and Judgment Recommendation - Mach es besonders</image:title>
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      <image:caption>Tiger Strikes Asteroid Los Angeles May 26 – June 17, 2018 opening reception: May 26, 7 pm Curated by Johanna Braun &amp; Lisa Stuckey Artists: Arno Böhler &amp; Susanne Valerie Granzer, DIE DAMEN, Danica Phelps, Elke Silvia Krystufek, Joseph Dumbacher John Dumbacher, Kelly Ann Gardener, Manuel Carreon Lopez, Michael Niemetz, and Sara Drake &amp; Nina Sarnelle</image:caption>
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      <image:caption>xhibit, exhibition-space Academy of Fine Arts Vienna Subject-matter »Art and Trans-/ Inter-Human Communication« Opening: 9th of March, 7 p.m. Exhibition: 10th of March - 14th of May 2017 Curators: Lisa Stuckey, Andrea Popelka Posthuman Complicities @ tumblr Installation views © kunst-dokumentation.com</image:caption>
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    <lastmod>2026-03-16</lastmod>
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    </image:image>
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    <loc>https://www.lisastuckey.net/speaking</loc>
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    <lastmod>2025-11-06</lastmod>
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      <image:title>Public Speaking</image:title>
      <image:caption>Lisa Stuckey, Academy of Fine Arts Vienna Photo © Manuel Carreón López</image:caption>
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    <lastmod>2024-05-09</lastmod>
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    <lastmod>2025-12-26</lastmod>
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      <image:caption>ANTI PREDATOR ADAPTATION</image:caption>
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  </url>
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    <loc>https://www.lisastuckey.net/university-lecturer</loc>
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    <lastmod>2026-03-23</lastmod>
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    <lastmod>2026-03-19</lastmod>
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      <image:title>About  / Research Profile</image:title>
      <image:caption>Lisa Stuckey Photo © Manuel Carreón López</image:caption>
    </image:image>
  </url>
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