Artistic-curatorial Research

Preliminary Remark. As an artistic-curatorial researcher, Lisa Stuckey works with time-based media, theory as material, and the exhibition as medium. Her long-term investigations follow a conceptual and poetological approach. Read More ⇒

Text by Attilia Fattori Franchini about Lisa Stuckey's work

Featured

Artistic-curatorial research project by Lisa Stuckey, 2020
Fama Facing Trial: Words as Currency is a multilingual work that contrasts (media-)architectures of law and jurisdiction with Fama, allegory of rumor, poetically responding to global “transitional justice” processes.

Nor Heat Nor Gloom Of Night

Transcultural exhibition project by Lisa Stuckey & Johanna Braun, 2018

Tiger Strikes Asteroid Los Angeles
NOR HEAT NOR GLOOM OF NIGHT addresses the various themes surrounding the post-office.

Artists: Arno Böhler & Susanne Valerie Granzer, DIE DAMEN, Danica Phelps, Elke Silvia Krystufek, Joseph Dumbacher John Dumbacher, Kelly Ann Gardener, Manuel Carreon Lopez, Michael Niemetz, and Sara Drake & Nina Sarnelle

Curated by Johanna Braun & Lisa Stuckey

I hear the waters’ song

Program at mumok cinema, presented by Lisa Stuckey & Andrea Popelka, 2017

The focus of “I hear the waters’ song” at mumok cinema is on music as a store of colonial history, with a central role taken by the Detroit techno duo Drexciya.

Films by: Hannah Black, Larry Achiampong & David Blandy, Paul Maheke, Akosua Adoma Owusu, The Otolith Group

After the screening conversation with Djamila Grandits

Posthuman Complicities

Research-based exhibition by Lisa Stuckey & Andrea Popelka, 2017

xhibit, exhibition-space Academy of Fine Arts Vienna

Posthuman Complicities presents artworks concerned with the Atlantic, the deep sea, and concepts of fluidity. The ocean features as a place of violence and resistance.

Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Jennifer Mattes, NourbeSe Philip, The Otolith Group, Paul Maheke, Stefanie Schwarzwimmer, Wolfgang Tillmans

Curated by Lisa Stuckey & Andrea Popelka

Four Siblings

Video-based research project by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2016

A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?

ANTI PREDATOR ADAPTATION

Short film by Lisa Stuckey & Jessyca R. Hauser, 2016

ANTI PREDATOR ADAPTATION connects different spaces of representation — the galery, the cinema, and the natural history museum — to an arena of thought. Based on Andrea Fraser's video installation Projection (2008) defense mechanism attributed to animals are translated into the psyche.

Prisoners of Venus. A Video Exhibition

Exhibition convened by Lisa Stuckey & Anna Schachinger, 2016

Studio Building, Academy of Fine Arts Vienna

Looped cognitive objects (thoughts, images, sounds, actions), affective technologies, the miracle of destruction, rituals between document and enactment, sexy gadgets, the fetishized mouth, patterns overlaying the fragmentary montages.

Videos by: Minda Andrén, Isabella Mcguire, Jenny Palén, Emma Pryde, Jessyca R. Hauser, Anja Morell, Victor Lizana

Curated by Anna Schachinger & Lisa Stuckey

(she) picture(s) porn. A Fictional Rehearsal

Video-performance research project by Lisa Stuckey & Anna Königshofer, 2012/2016

Fictional rehearsal points to the blurring of genres: between docufiction, making-of, and the rehearsal as medium of investigation.

Europe: In Third Person

Video poem by Lisa Stuckey, 2015

»Apropriated Self-Portrait of a Woman Speaking in Third Person«
text by Chandler Coles

Unclouded Blueness

Video-reenactment and research by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2015

A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?

Peut-être que j'avais juste pas assez respire

Video-performance project by Lisa Stuckey & Anna Königshofer, 2014

In French, English/German subtitles.
Performer: Éléonore Chalié, Marie Cornil, Anne-Lisa Tacheron.

SELECTED SCREENINGS AND EXHIBITIONS

01/2020
Diploma Art and Digital Media, Academy of Fine Arts Vienna
⇒ Fama Facing Trial: Words As Currency

05/2018
Tiger Strikes Asteroid, Los Angeles [curatorial]
⇒ Nor Heat Nor Gloom Of Night

04/2017
mumok kino [curatorial]
⇒ I hear the waters’ song

03/2017
xhibit [curatorial & installation]
⇒ Posthuman Complicities

03/2017
Diagonale – Festival of Austrian Film, Graz
⇒ ANTI PREDATOR ADAPTATION / Category: Innovative Cinema

09/2016
Zeitgenössische Kunst im Landhaus St.Pölten, Projektraum Donau
⇒ Four Siblings

07/2016
frame[o]ut Digital Summer Screenings, MQ Vienna
⇒ ANTI PREDATOR ADAPTATION

06/2016
Museum of the Moving Image (MOMI), NYC
⇒ ANTI PREDATOR ADAPTATION

05/2016
Anthology Film Archives, NYC
⇒ ANTI PREDATOR ADAPTATION

04/2016
AUSTRIAN AMERICAN SHORT FILM FESTIVAL, Austrian Cultural Forum New York City
⇒ ANTI PREDATOR ADAPTATION / Category: Experimental and Conceptual

03/2016
Atelierhaus, EG Nord [curatorial]
⇒ Prisoners of Venus. A Video Exhibition

03/2016
Künstlerhaus – Gesellschaft bildender Künstlerinnen und Künstler Österreichs, »Opera publica«
⇒ (she) picture(s) porn. A fictional rehearsal

11/2015
Mumok – Museum Moderner Kunst Stiftung Ludwig Vienna,
Film-contribution within the program »You've seen me before I« & »You’ve seen me before II« – Between Appropriation and Déjà-vu.
⇒ ANTI PREDATOR ADAPTATION, Screening + performative intervention
⇒ Europe: In third Person

05/2015
Project Space Danube, Osijek, Croatia
⇒ Four Siblings

01/2015
Screening 9min. 43sec, Rundgang Academy of Fine Arts Vienna
⇒ Unclouded Blueness

01/2014
Haute école d'art et de design Genève – Video-installation
⇒ Peut-être que j'avais juste pas assez respire

08/2012
International Summer Academy of Fine Arts Salzburg
⇒ A Susanna