PUBLICATIONS
Dr. Lisa Stuckey has published in peer-reviewed journals such as Zeitschrift für Medienwissenschaft, On_Culture, all-over Magazin für Kunst und Ästhetik, and Journal for Artistic Research.
Her art-critical texts appeared in Texte zur Kunst, Camera Austria International, Third Text, Voices Mag, and Arts of the Working Class.
Stuckey’s doctoral thesis on forensic procedures in the arts was published by De Gruyter in 2022.
The co-edited volume Uncertain Curiosity was released by Springer in 2025.
BOOKS
[Forensic Procedures in the Contemporary Arts: Forensic Architecture and Other Case Analyses]
Peer-reviewed book & open access ebook
Author: Lisa Stuckey
Publisher: De Gruyter
Series: Undisziplinierte Bücher: Gegenwartsdiagnosen und ihre historischen Genealogien
Release: May 2022
Language: German
https://doi.org/10.1515/9783110732887
Peer-reviewed book & open access ebook
Contributing Authors: Ruth Anderwald and Leonhard Grond, Jens Badura, Kathrin Busch, Ann Cotten, Alexander Damianisch, Nausikaä El-Mecky, Nikolaus Gansterer, Ana Hoffner, Belinda Kazeem-Kamiński, Claudia Larcher, Micha Payer and Martin Gabriel, Michael Richardson, Karl Salzmann, Lisa Stuckey, Dénètem Touam Bona, Jordan Troeller, Pedro J S Vieira de Oliveira, Perry Zurn
Editors: Lisa Stuckey and Alexander Damianisch
Publisher: Springer
Series: Arts, Research, Innovation and Society
Release: September 2025
Language: English
https://doi.org/10.1007/978-3-031-91995-4
PAPERS/ARTICLES
Forthcoming:
Law as Heritage
Essay by Kyrill Kunakovich and Lisa Stuckey. In: tbc. working through heritage concepts (series ed. Margareta von Oswald). inherit Berlin (forthcoming 2025).
Gegenforensische Versuche radikaler Befreiung im Para-Museum
Editor-reviewed chapter by Lisa Stuckey. In: Das radikaldemokratische Museum (revisited), edited by Nora Sternfeld and Joachim Baur. transcript (forthcoming 2025).
Szenen und Skripte tribunaler Adressierung
Editor-reviewed chapter by Lisa Stuckey. In: Forensisches Auftreten: Postdigitale Mediengefüge an den Rändern der Justiz, edited by Friedrich Balke and Anna Polze. transcript (forthcoming 2025).
Introductory chapter by Lisa Stuckey
In: Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies: Transforming Understanding—Understanding Transformation, eds. Lisa Stuckey and Alexander Damianisch. Cham: Springer Nature, 2025.
Peer-revied chapter by Lisa Stuckey
In: Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies: Transforming Understanding—Understanding Transformation, eds. Lisa Stuckey and Alexander Damianisch. Cham: Springer, 2025.
Review of the exhibition Constanze Ruhm: Come una pupilla al variare della luce.
In: TEXTE ZUR KUNST, September 29, 2023
Publication by Lisa Stuckey (with an artistic contribution by Karina Nimmerfall).
Reader 6 in series of the Studio Art & Research, eds. Karina Nimmerfall and Maximiliane Baumgartner, Laboratory for Art and Research. Cologne: University of Cologne, 2023.
Three Takes on Three Doors — Forensic Architecture / Forensis, Initiative 19. Februar Hanau, Initiative in Gedenken an Oury Jalloh (2022, Frankfurter Kunstverein)
Exhibition Review by Anna Polze and Lisa Stuckey.
In:Third Text Online, September 1, 2022
Peer-reviewed article by Lisa Stuckey
In: On_Culture: The Open Journal for the Study of Culture, No. 13 (2022): “In_Visibilities.”
Art critical text by Lisa Stuckey on the occasion of Clemens von Wedemeyer’s exhibition The Illusion of a Crowd (2022) at VOX — Centre de l’image contemporaine, Montreal
Art critical text by Lisa Stuckey
In der Ausstellung Sprachlosigkeit – Das laute Verstummen im Japanischen Palais wurden Gegenwartskünstler*innen und Aktivist*innen eingeladen, in multivokalen Dialog mit Sammlungsobjekten unterschiedlicher Provenienz zu treten. Was diese Ausstellung mit „dichterischem Denken“ im Sinne Hannah Arendts zu tun hat, beschreibt die Kulturwissenschaftlerin und Kunstkritikerin Lisa Stuckey.
In: Staatliche Kunstsammlungen Dresden: VOICES MAG, 17. September 2021.
Exhibition review by Lisa Stuckey on Wordless — Falling Silent Loudly (2021) at Japanisches Palais
In: Arts of the Working Class, July 8, 2021
[1989 — Obeying Technology and Antinormative Methodology. Avital Ronell’s “The Telephone Book: Technology, Schizophrenia, Electric Speech” Reread]
Avital Ronell’s The Telephone Book: Technology, Schizophrenia, Electric Speech wiedergelesen.
Relektüre von Lisa Stuckey.
In: Stay in touch
IFK_Vienna, Kunstuniversität Linz, 2021.
[PATIENT PATIENTS: Architecture as a Medium of Care and Advocacy in Investigations of Forensic Architecture]
Peer-review journal article by Lisa Stuckey.
In: Zeitschrift für Medienwissenschaft (ZFM) 24 (2021): Medien der Sorge (edited by Jasmin Degeling and Maren Haffke), transcript, pp. 38–46.
Essay by Lisa Stuckey on the work of Karina Nimmerfall.
In: Camera Austria International 152 (2020)
Leaflet published on the occasion of Lisa Stuckey’s exhibition Fama Facing Trial: Words As Currency
Paper by Lisa Stuckey.
In: Blog of IFK International Research Center for Cultural Studies, Guest Contribution, January 8, 2019.
Rezension von Lisa Stuckey über Johanna Braun: All-American-Gothic Girl.
In: texte. psychoanalyse. ästhetik. kulturkritik. Herausgegeben von Ulrike Kadi, August Ruhs, Karl Stockreiter, Gerhard Zenaty, Heft 2/2018, 38. Jahrgang.
Book chapter by Lisa Stuckey.
In: Thomas Ballhausen and Robert Huez (eds.): Der Zeitungsausschnitt. Begleitbuch zur Ringvorlesung. 2018: danzig & unfried, pp. 123–140.
Review of the Johanna Braun’s book All-American Gothic Girl by Lisa Stuckey.
In: all-over | Magazin für Kunst und Ästhetik 14 (Spring/Summer 2018), pp. 57–61.
[Poeto-Forensic Ocenography: Aesthetics of Grieve in “Left-to-Die Boat” (Forensic Architecture) and “Zong!” (NourbeSe Philip)]
Peer-reviewed journal article by Lisa Stuckey.
In: all-over | Magazin für Kunst und Ästhetik 13 (autumn 2017), pp. 29–37
Peer-reviewed contribution by Lisa Stuckey.
In: Journal for Artistic Research 12 (2017)
Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Paul Maheke, Jennifer Mattes, The Otolith Group, M. NourbeSe Philip, Stefanie Schwarzwimmer, Wolfgang Tillmans
Curators: Lisa Stuckey & Andrea Popelka
Installation views © kunst-dokumentation.com
Graphic Design: Stefanie Schwarzwimmer
[MUMMY MATRIX MATTER: Memory Weakness in the Myth and the Anticipation of Posthumanism]
Book chapter by Lisa Stuckey.
In: Johanna Braun (ed.): Beschwörungsrituale. An Elisabeth von Samsonow. Vienna 2016: Turia + Kant, pp. 161–168.
Art critical text by Lisa Stuckey.
http://www.carreonlopez.com
Book chapter by Lisa Stuckey.
In: Zeit Kunst Niederösterreich (ed.): Elisabeth von Samsonow: Transplants. Bielefeld 2016: Kerber, pp. 235–249.
[Ritual and Performance Art: A Dialectical Relationship]
Editor-reviewed journal article by Lisa Stuckey.
In: Nkf – Neue Kunstwissenschaftliche Forschungen No. 2 (2016): Wiener Schule, pp. 70–77.
Essays by Lisa Stuckey on new forms of urban knowledge production.
Published under the supervision of Prof. Marion von Osten