Buchbeitrag von Lisa Stuckey.
Publiziert in: Thomas Ballhausen, Robert Huez [Hg.]: Der Zeitungsausschnitt, 2018
Rezension von Lisa Stuckey.
Publiziert in: all-over | Magazin für Kunst und Ästhetik 14, Spring Summer 2018
Transcultural exhibition project by Lisa Stuckey & Johanna Braun, 2018
Tiger Strikes Asteroid Los Angeles
NOR HEAT NOR GLOOM OF NIGHT addresses the various themes surrounding the post-office.
Artists: Arno Böhler & Susanne Valerie Granzer, DIE DAMEN, Danica Phelps, Elke Silvia Krystufek, Joseph Dumbacher John Dumbacher, Kelly Ann Gardener, Manuel Carreon Lopez, Michael Niemetz, and Sara Drake & Nina Sarnelle
Curated by Johanna Braun & Lisa Stuckey
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[Forensic Architecture: Metafilmic Translations Between Art and Law]
Mai 2018
Zweiteiliger Gastvortrag von Lisa Stuckey.
Institut für Kunst- und Kulturwissenschaften, Akademie der bildenden Künste Wien, eingeladen von Prof. Sabeth Buchmann zur Vorlesung Von investigativer Kunstpraxis zu Forensic Architecture
[Poeto-Forensic Ocenography: Aesthetics of Grieve in “Left-to-Die Boat” (Forensic Architecture) and “Zong!” (NourbeSe Philip)]
Peer-reviewed Artikel von Lisa Stuckey.
Publiziert in: all-over | Magazin für Kunst und Ästhetik 13 (autumn 2017)
Peer-reviewed contribution by Lisa Stuckey.
Published in: Journal for Artistic Research (JAR) 12 (2017)
Program at mumok cinema, presented by Lisa Stuckey & Andrea Popelka, 2017
The focus of “I hear the waters’ song” at mumok cinema is on music as a store of colonial history, with a central role taken by the Detroit techno duo Drexciya.
Films by: Hannah Black, Larry Achiampong & David Blandy, Paul Maheke, Akosua Adoma Owusu, The Otolith Group
After the screening conversation with Djamila Grandits
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Research-based exhibition by Lisa Stuckey & Andrea Popelka, 2017
xhibit, exhibition-space Academy of Fine Arts Vienna
Posthuman Complicities presents artworks concerned with the Atlantic, the deep sea, and concepts of fluidity. The ocean features as a place of violence and resistance.
Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Jennifer Mattes, NourbeSe Philip, The Otolith Group, Paul Maheke, Stefanie Schwarzwimmer, Wolfgang Tillmans
Curated by Lisa Stuckey & Andrea Popelka
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Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Paul Maheke, Jennifer Mattes, The Otolith Group, M. NourbeSe Philip, Stefanie Schwarzwimmer, Wolfgang Tillmans
Curators: Lisa Stuckey & Andrea Popelka
Installation views © kunst-dokumentation.com
Graphic Design: Stefanie Schwarzwimmer
Video-based research project by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2016
A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?
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[MUMMY MATRIX MATTER: Memory Weakness in the Myth and the Anticipation of Posthumanism]
Buchbeitrag von Lisa Stuckey.
Publiziert in: Johanna Braun [Hg.]: Beschwörungsrituale. An Elisabeth von Samsonow. Wien 2016: Turia + Kant, S. 161–168.
Art critical text by Lisa Stuckey.
http://www.carreonlopez.com
Short film by Lisa Stuckey & Jessyca R. Hauser, 2016
ANTI PREDATOR ADAPTATION connects different spaces of representation — the galery, the cinema, and the natural history museum — to an arena of thought. Based on Andrea Fraser's video installation Projection (2008) defense mechanism attributed to animals are translated into the psyche.
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Book chapter by Lisa Stuckey.
Published in: ZEIT KUNST Niederösterreich: Elisabeth von Samsonow. English/German. Bielefeld 2016: Kerber Verlag, pp. 235–249.
[Ritual and Performance Art: A Dialectical Relationship]
Editorial-reviewed Artikel von Lisa Stuckey.
Publiziert in: Journal Nkf – Neue Kunstwissenschaftliche Forschungen, Nr. 2 (2016) Wiener Schule, S. 70–77.
Exhibition convened by Lisa Stuckey & Anna Schachinger, 2016
Studio Building, Academy of Fine Arts Vienna
Looped cognitive objects (thoughts, images, sounds, actions), affective technologies, the miracle of destruction, rituals between document and enactment, sexy gadgets, the fetishized mouth, patterns overlaying the fragmentary montages.
Videos by: Minda Andrén, Isabella Mcguire, Jenny Palén, Emma Pryde, Jessyca R. Hauser, Anja Morell, Victor Lizana
Curated by Anna Schachinger & Lisa Stuckey
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Video-performance research project by Lisa Stuckey & Anna Königshofer, 2012/2016
Fictional rehearsal points to the blurring of genres: between docufiction, making-of, and the rehearsal as medium of investigation.
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Video poem by Lisa Stuckey, 2015
»Apropriated Self-Portrait of a Woman Speaking in Third Person«
text by Chandler Coles
Master's thesis by Lisa Stuckey in History and Theory of Art.
Passed with distinction in 2015.
Supervisor: Prof. Dr. Elisabeth von Samsonow
Video-reenactment and research by Lisa Stuckey into the 8mm & Super 8 film archive of Elisabeth S., 2015
A filmic archive of family celebrations, birthdays, farewells, journeys, pets, fishing, etc. What constitutes the perspective of the filmmaker? What eludes her sight?
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