Introductory chapter by Lisa Stuckey
In: Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies: Transforming Understanding—Understanding Transformation, eds. Lisa Stuckey and Alexander Damianisch. Cham: Springer Nature, 2025.
Peer-revied chapter by Lisa Stuckey
In: Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies: Transforming Understanding—Understanding Transformation, eds. Lisa Stuckey and Alexander Damianisch. Cham: Springer, 2025.
Review of the exhibition Constanze Ruhm: Come una pupilla al variare della luce.
In: TEXTE ZUR KUNST, September 29, 2023
Publication by Lisa Stuckey (with an artistic contribution by Karina Nimmerfall).
Reader 6 in series of the Studio Art & Research, eds. Karina Nimmerfall and Maximiliane Baumgartner, Laboratory for Art and Research. Cologne: University of Cologne, 2023.
Three Takes on Three Doors — Forensic Architecture / Forensis, Initiative 19. Februar Hanau, Initiative in Gedenken an Oury Jalloh (2022, Frankfurter Kunstverein)
Exhibition Review by Anna Polze and Lisa Stuckey.
In:Third Text Online, September 1, 2022
Peer-reviewed article by Lisa Stuckey
In: On_Culture: The Open Journal for the Study of Culture, No. 13 (2022): “In_Visibilities.”
Art critical text by Lisa Stuckey on the occasion of Clemens von Wedemeyer’s exhibition The Illusion of a Crowd (2022) at VOX — Centre de l’image contemporaine, Montreal
Read MoreArt critical text by Lisa Stuckey
In der Ausstellung Sprachlosigkeit – Das laute Verstummen im Japanischen Palais wurden Gegenwartskünstler*innen und Aktivist*innen eingeladen, in multivokalen Dialog mit Sammlungsobjekten unterschiedlicher Provenienz zu treten. Was diese Ausstellung mit „dichterischem Denken“ im Sinne Hannah Arendts zu tun hat, beschreibt die Kulturwissenschaftlerin und Kunstkritikerin Lisa Stuckey.
In: Staatliche Kunstsammlungen Dresden: VOICES MAG, 17. September 2021.
Exhibition review by Lisa Stuckey on Wordless — Falling Silent Loudly (2021) at Japanisches Palais
In: Arts of the Working Class, July 8, 2021
[1989 — Obeying Technology and Antinormative Methodology. Avital Ronell’s “The Telephone Book: Technology, Schizophrenia, Electric Speech” Reread]
Avital Ronell’s The Telephone Book: Technology, Schizophrenia, Electric Speech wiedergelesen.
Relektüre von Lisa Stuckey.
In: Stay in touch
IFK_Vienna, Kunstuniversität Linz, 2021.
[PATIENT PATIENTS: Architecture as a Medium of Care and Advocacy in Investigations of Forensic Architecture]
Peer-review journal article by Lisa Stuckey.
In: Zeitschrift für Medienwissenschaft (ZFM) 24 (2021): Medien der Sorge (edited by Jasmin Degeling and Maren Haffke), transcript, pp. 38–46.
Essay by Lisa Stuckey on the work of Karina Nimmerfall.
In: Camera Austria International 152 (2020)
Leaflet published on the occasion of Lisa Stuckey’s exhibition Fama Facing Trial: Words As Currency
Read MorePaper by Lisa Stuckey.
In: Blog of IFK International Research Center for Cultural Studies, Guest Contribution, January 8, 2019.
Rezension von Lisa Stuckey über Johanna Braun: All-American-Gothic Girl.
In: texte. psychoanalyse. ästhetik. kulturkritik. Herausgegeben von Ulrike Kadi, August Ruhs, Karl Stockreiter, Gerhard Zenaty, Heft 2/2018, 38. Jahrgang.
Book chapter by Lisa Stuckey.
In: Thomas Ballhausen and Robert Huez (eds.): Der Zeitungsausschnitt. Begleitbuch zur Ringvorlesung. 2018: danzig & unfried, pp. 123–140.
Review of the Johanna Braun’s book All-American Gothic Girl by Lisa Stuckey.
In: all-over | Magazin für Kunst und Ästhetik 14 (Spring/Summer 2018), pp. 57–61.
[Poeto-Forensic Ocenography: Aesthetics of Grieve in “Left-to-Die Boat” (Forensic Architecture) and “Zong!” (NourbeSe Philip)]
Peer-reviewed journal article by Lisa Stuckey.
In: all-over | Magazin für Kunst und Ästhetik 13 (autumn 2017), pp. 29–37
Peer-reviewed contribution by Lisa Stuckey.
In: Journal for Artistic Research 12 (2017)
Artists: Viltė Bražiūnaitė & Tomas Sinkevičius, Joey Holder, Paul Maheke, Jennifer Mattes, The Otolith Group, M. NourbeSe Philip, Stefanie Schwarzwimmer, Wolfgang Tillmans
Curators: Lisa Stuckey & Andrea Popelka
Installation views © kunst-dokumentation.com
Graphic Design: Stefanie Schwarzwimmer
