Exhibition review by Lisa Stuckey on Wordless — Falling Silent Loudly (2021) at Japanisches Palais
In: Arts of the Working Class, July 8, 2021
July 9–10, 2021
Symposium with accompanying workshops, scenography, and film installation at the Biennale for Freiburg (BfF1), 2021.
Contributors: Michel Auder, Ronja Andersen & Marius Schwarz, Mirela Baciak, Claudia Barth & Hanne König, Christoph Chwatal, Diane Hillebrand, Elke Krasny, Sven Lütticken, Viktor Neumann, Karina Nimmerfall, Lisa Stuckey, Simon Strick, Karen van den Berg, Daniel Vollmer & Lou von der Heyde.
Convened by Christoph Chwatal & Lisa Stuckey
[1989 — Obeying Technology and Antinormative Methodology. Avital Ronell’s “The Telephone Book: Technology, Schizophrenia, Electric Speech” Reread]
Avital Ronell’s The Telephone Book: Technology, Schizophrenia, Electric Speech wiedergelesen.
Relektüre von Lisa Stuckey.
In: Stay in touch
IFK_Vienna, Kunstuniversität Linz, 2021.
[PATIENT PATIENTS: Architecture as a Medium of Care and Advocacy in Investigations of Forensic Architecture]
Peer-review journal article by Lisa Stuckey.
In: Zeitschrift für Medienwissenschaft (ZFM) 24 (2021): Medien der Sorge (edited by Jasmin Degeling and Maren Haffke), transcript, pp. 38–46.
Lisa Stuckey has been awarded a one-year Post-DocTrack grant from the Austrian Academy of Sciences (ÖAW).
During this period, she will be a postdoctoral research associate at Angewandte | University of Applied Arts Vienna.
December 2020
On the occasion of Lawrence Abu Hamdan’s exhibition Green Coconuts and Other Inadmissible Evidence at Secession, Vienna
In the academic year 2019/2020, the Prize for Scientific Work of the Academy of Fine Arts Vienna was awarded to Lisa Stuckey for her doctoral thesis LAW ON TRIAL: Art and Jurisdiction in Investigations of Forensic Architecture and in Exemplary Contemporary Art (2020)
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Essay by Lisa Stuckey on the work of Karina Nimmerfall.
In: Camera Austria International 152 (2020)
In the academic year 2019|2020, Lisa Stuckey has been awarded one of the appreciation prizes of the Academy of Fine Arts Vienna
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March 18, 2020
Contribution by Lisa Stuckey & Hannah Bruckmüller to the lecture series (Ringvorlesung) Kunst – Forschung – Geschlecht: Let’s fabulate! – Art Sciences, University of Applied Arts Vienna
February 26, 2020
Public lecture by Lisa Stuckey at the Estonian Academy of Arts, Tallinn
Artistic-curatorial research project by Lisa Stuckey, 2020
Fama Facing Trial: Words as Currency is a multilingual work that contrasts (media-)architectures of law and jurisdiction with Fama, allegory of rumor, poetically responding to global “transitional justice” processes.
January 23–26, 2020
Diploma Presentation by Lisa Stuckey – Art and Digital Media / Institute for Fine Arts / Academy of Fine Arts Vienna
June 27–28, 2019
Contribution by Lisa Stuckey to the International PhD-Conference Images as Agents in Digital Public Spheres at Alpen-Adria-Universität Klagenfurt, Division of Visual Culture, in cooperation with the International Sociological Association’s Visual Sociology Research
[Investigative Aesthetics: Legal and Art Critical Approaches]
May 2019
Presentation by Lisa Stuckey at the Graduate Conference of the Academy of fine Arts Vienna
[DOWN TO BUSINESS! Procedures of Evidence Between Art and Jurisdiction]
April 2019
Vortrag von Lisa Stuckey am IFK Internationales Forschungszentrum Kulturwissenschaften
Geistesblitz-Portrait über Lisa Stuckey: Kunstwerk und Beweismittel.
In: DER STANDARD, 9.1.2019, S. 16, A. Pumhösel, Forschung Spezial
Rezension von Lisa Stuckey über Johanna Braun: All-American-Gothic Girl.
In: texte. psychoanalyse. ästhetik. kulturkritik. Herausgegeben von Ulrike Kadi, August Ruhs, Karl Stockreiter, Gerhard Zenaty, Heft 2/2018, 38. Jahrgang.
As of October 2018, Lisa Stuckey is a IFK_Junior Fellow at theat the International Research Center
for Cultural Studies in Vienna
Contribution by Lisa Stuckey to the 12th Annual Conference of the Fachverband Kulturmanagement in Vienna, Arts & Citizenship - Towards Diversity of Cultural Expressions (January 9–12, 2019), organized by University of Music and Performing Arts, Vienna, Department of Cultural Management and Gender Studies
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